L'avis des artistes à propos de Samplitude Pro X
Jack Steadman
Chanteur principal, pianiste et guitariste du groupe Bombay Bicycle Club
"I use Samplitude for all tracking and mixing, and most of the writing too! (...) I love Samplitude’s object-based processing, and the cut feature with automatic fades. I do so much cutting and slicing when I’m writing and recording. I can be really creative with cutting something up and editing each slice separately."
Références
Bombay Bicycle Club
Mitch Malloy
Compositeur, producteur, ingénieur de mixage/mastering, star du rock et guitariste
"In 2000 I changed my entire studio to a PC-based system with another DAW. I was an endorser for them. After struggling for almost two years on that software and hating the sound, it was suggested to me to try Samplitude. I did and I was elated at the upgrade with its ease and workability of the layout. I’ve been with MAGIX ever since and although I’ve tried every app on Mac and PC, I feel nothing can replace what Samplitude and Sequoia do for me. They are all I use and all I need. I can't go back. Plain and simple."
Références
Taylor Swift, Van Halen, Great White, Boys Like Girls, Kenny Loggins
Thomas Jouanjean (Northward Acoustics)
Ingénieur acoustique
"As a studio designer I've seen it used alongside other MAGIX products in the vast majority of the Mastering Studios I've designed - including by the likes of Sterling Sound NJ & Nashville, Brad Blackwood at Euphonics Masters, Heba Kadry, Josh Bonati and Adam Gonsalves. That says a lot about the quality and reliability of the product. Our rooms reveal the slightest detail, only the most transparent DAW software and processes will do."
Références
Sterling Sound, Euphonic Masters, Bonati Mastering, Telegraph Mastering
"I’ve been using Samplitude and Sequoia for almost 20 years now, and I can’t imagine working without them. They allow me to achieve flow more quickly than any other DAW. I really couldn’t function at this level without Comparisonics viewing, object based editing, and its in-line spectral editing and solid cross-fade workflow. It helps me bring my ideas to life."
Oleksa Lozowchuk
Directeur musical, compositeur et producteur
Références
Damian Taylor (The Prodigy, Evanescence, Björk) | Fifa 20 VOLTA (EA), Dead Rising 2, 3 & 4 (Capcom Vancouver) | Ancien directeur musical de Capcom Vancouver | Musique pour Netflix, Apple, Disney, Microsoft, McDonald's
"I’ve really only touched the tip of the iceberg of what the program can do, but I just love everything about it. Samplitude is like a box of non-stop surprises. It’s so simple, yet it has everything you can dream of and looks great on screen. The restoration side of Samplitude is just crazy, so easy to clean up clicks and pops, hums and noise. Again, a very fast economic way for doing things."
Garry King
Batteur, ingénieur d'enregistrement de batterie et producteur
Références
Jeff Beck, Joe Lynn Turner (Deep Purple), Tom Bee (Sound of America Records), Rick Hale | Musiques pour la télévision et le cinéma
Audiopsy - Garry King et Samplitude
Garry King en studio avec Samplitude Pro X
"The difference between Samplitude and other DAWs is that you can work with waves better and more quickly. My workflow includes a lot of work with waves. Setting the drums, cutting samples into the project, setting pitches, time stretching, cross-fading, and integrating VSTs. It’s all super quick and easy with Samplitude.
The mixer in Samplitude is so awesome that you don’t even need an external mixer, especially with all the plug-ins that are available today."
Brisk Fingaz
Producteur
Références
Kool Savas, Fler, Samy Deluxe, Kollegah, Farid Bang, Eko Fresh, Haftbefehl
"I'm using Samplitude in a wider variety of applications than most mastering engineers - in my day-to-day mastering work plus vinyl cuts, stem mastering, and restoration/remastering work. Luckily Samplitude is flexible and powerful enough to handle all these worlds with a workflow that keeps the studio productive."
Josh Bonati
Ingénieur de mastering et de découpe vinyle
Références
Mac DeMarco, The Men, Zola Jesus
"I almost do everything starting from the draft of a composition over arrangement, recordings through MIDI and sound design to the final mixing and mastering process. I've trusted Samplitude as a my main tool for almost 18 years. Object oriented engine, great onboard plugins and meters, classic intuitive GUI design ready to be customized, mastering tools. All in one. I love this DAW."
OZD
Compositeur, producteur, arrangeur, ingénieur de mixage/mastering et musicien
Références
Tulia, Formacja Niezywych Schabuff, Feel, Kasia Popowska, Agnieszka Adamczewska, The Underground Man | Rodzinka PL (émission TV)
Audiopsy – OZD and Samplitude
"I am proud to use the complete collection of software from MAGIX for my music and video productions including SOUND FORGE, VEGAS, and Samplitude. The quality of Samplitude is truly remarkable. Its power and flexibility is without compare and most importantly—it sounds great! I also want to thank MAGIX for working to make their products accessible to blind music professionals."
Joey Stuckey
Compositeur, producteur, auteur-interprète, ingénieur d'enregistrement, guitariste et professeur de technologie musicale à la Mercer University
Références
Alan Parsons, Hughie Thomasson (Lynyrd Skynyrd), Mike Mills (R.E.M.)
"The object editor and the ability to burn directly from the application are huge for me. Also, the way it handles ISRC codes as well as other CD text are very important to my workflow. The overall vibe of editing is also fantastic, and the application has just always been super snappy and responsive.
As a user for over 20 years now, I've really watched the program grow. Seeing others copy features that were in Samplitude decades ago, makes me giggle. No other DAW lets me work as fast as Samplitude, and the sound of the program is second to none."
Siegfried Meier
Producteur, ingénieur d'enregistrement et de mixage, et auteur-compositeur
Références
Kittie, Baptized in Blood, Woods of Ypres
"I've chosen Samplitude because some of my friends were using it, even in the classical music domain, and were raving about its sound quality. Some others, in the more pop domain, were crazy about what Samplitude could do, particularly its concept of objects, which was a new and very interesting way of working with sound.
So that made two reasons."
Jean-Philippe Rykiel
Joueur de synthétiseur, compositeur, concepteur de sons et arrangeur
Références
Leonard Cohen, Salif Keita, Youssou N'Dour, Amadou & Mariam
"I am a postproduction specialist and sound designer based in Berlin. A balance between speed and quality is essential in my field.
It continues to impress me that Samplitude and Sequoia require so few resources to work on highly complex sound design. I love the way the object editor offers me a complete channel strip for every single audio snippet. Samplitude has completely revolutionized object-based work.
The latest versions of Samplitude and Sequoia have added many new practical features that make my work even faster, clearer and more user-friendly.
A life without Samplitude/Sequoia is possible, but wouldn't make any sense."
Mike Woloszyn
Concepteur de sons, compositeur et ingénieur du son
Références
BMW, DTM, Nike
"If you are going to be doing professional mastering work, Samplitude has been my mainstay and “go to” software for nearly two decades. From the ability to visualize your audio to delivery, it is hands-down the best tool for the job."
Juan "Punch" Gonzalez
Producteur, ingénieur de mixage/mastering/performance live, cinéaste, ainsi que chanteur principal/ guitariste du groupe Cosmic Punch
Références
Symphony X, Kamelot, Overkill, Living Colour
"I love Samplitude! I find it to be the most comprehensive DAW I have used to date. Not only is it well laid out with many powerful features, it also has outstanding sound quality! The EQs, Compressors, and plugins all have a very rich and almost analogue nature.The bundled soft-synths and quality sounds are vast and diverse, yet simple to add in and use.Samplitude Pro X is loaded with goodies, and I highly recommend it to anyone who is serious about the quality of their production and music."
Rick Hale
Producteur et compositeur
Références
Nommé aux Latin Grammy Awards | Micky Cruz, Garry King, Jimmy Shendo
Samplitude Pro X5 répond aux plus hautes exigences de qualité pour la production audio, de la première prise au mastering final.
Samplitude Pro X5 répond aux plus hautes exigences de qualité pour la production audio, de la première prise au mastering final.
Samplitude Pro X5 répond aux plus hautes exigences de qualité pour la production audio, de la première prise au mastering final.
Samplitude Pro X5 répond aux plus hautes exigences de qualité pour la production audio, de la première prise au mastering final.
Samplitude Pro X5 répond aux plus hautes exigences de qualité pour la production audio, de la première prise au mastering final.
De la première prise au mastering final : la version Suite inclut toutes les fonctionnalités de Samplitude Pro X5 ainsi que notre légendaire logiciel d'édition audio SOUND FORGE Pro 13 et d'autres offres groupées haut de gamme.
De la première prise au mastering final : la version Suite inclut toutes les fonctionnalités de Samplitude Pro X5 ainsi que notre légendaire logiciel d'édition audio SOUND FORGE Pro 13 et d'autres offres groupées haut de gamme.
De la première prise au mastering final : la version Suite inclut toutes les fonctionnalités de Samplitude Pro X5 ainsi que notre légendaire logiciel d'édition audio SOUND FORGE Pro 13 et d'autres offres groupées haut de gamme.
De la première prise au mastering final : la version Suite inclut toutes les fonctionnalités de Samplitude Pro X5 ainsi que notre légendaire logiciel d'édition audio SOUND FORGE Pro 13 et d'autres offres groupées haut de gamme.
De la première prise au mastering final : la version Suite inclut toutes les fonctionnalités de Samplitude Pro X5 ainsi que notre légendaire logiciel d'édition audio SOUND FORGE Pro 13 et d'autres offres groupées haut de gamme.